Thursday, September 11, 2014

Download Ebook Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones

Download Ebook Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones

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Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones

Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones


Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones


Download Ebook Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones

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Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones

Product details

Hardcover: 297 pages

Publisher: Free Pr; Exp&ed edition (January 1, 1993)

Language: English

ISBN-10: 0029166756

ISBN-13: 978-0029166758

Product Dimensions:

6.2 x 1 x 9.5 inches

Shipping Weight: 5.6 ounces

Average Customer Review:

4.3 out of 5 stars

51 customer reviews

Amazon Best Sellers Rank:

#227,065 in Books (See Top 100 in Books)

An excellent discussion of the infamous Tuskegee experiment, which is notorious for its lack for regard for human rights. This book will help you to understand why the black community is mistrustful of outsiders coming to 'help' them, although you may be left wondering how on earth the doctors of the PHS could justify their actions to themselves, and keep on denying men the treatment they needed.

To think that medical personnel could conduct such an experiment, and that the collusion with it extended far and wide almost requires a willing suspension of disbelief. Illiterate, indigent individuals were persuaded to participate in a study of the progress of syphilis for nothing more than a modest burial payment. Black and white doctors and nurses, medical professionals at the federal, state, and local levels, were involved in this experiment, to the utter disgrace of every one who took part. Leading men of the day thought it was perfectly okay to continue the experiment and to leave the subjects untreated even after the discovery that penicillin would likely have cured them of the disease. The fact that the experiment did not end until some forty years ago suggests that racism was at its heart and core. These men were simply expendable, and this fine book illuminates it all.

This book is probably one of the first of the expose type to zero in on medical culpability in the US. Most people tend to think that only Germany was capable of doing the atrocities that occurred during WWII. It was these atrocities that led to the Nuremburg Code of conduct for physicians and scientists, yet it was known prior to the Germans butchery that other countries including the US and England were equally responsible for using human beings for questionable experiments. As a student in medical school I came across references to this book and others like it. My interest lay in the fact that as a Deaf person, I know what it is like to have doctors treat me with disrespect and patronizingly. I started researching into how lack of education leads to people being taken advantage of by the medical establishment. In my research, so many referred back to this particular book, I decided I just had to read it. Not only have I read it but I have lent it to others who share my concern that there are medical practitioners out there like Kervorkian who would have no problem putting to death or using for unethical experiments, people who they view as less than people. Jones did a magnificent job of research and follow-up with those involved in this horrible fiasco. Not only were these doctors racist, but they considered anyone with lower education to be only as useful as animals...to an extent they treated these men with less care and concern then they treat animals used in experiments today. Jones was more than fair, including reasons for why these doctors and nurses, both black and white, did not perceive this long on-going experiment as being wrong. It is partially due to his exposure of this experiment, that other minority groups including the disabled are looking carefully at the medical establishment for bias and prejudice, for neglect and outright denial of fair medical treatment and availability of treatment. Every medical student, public health student, science student, educator, and frankly everyone should read this book. I am deeply concerned that if we don't pay attention to the ethics of all the new science and medical information being found, we will once again allow someone somewhere in our nation the opportunity to use a particular group of people for their own unethical purposes. We cannot afford to turn a 'blind' eye to this happening again. Karen L. Sadler, Science Education, University of Pittsburgh, klsst23@pitt.edu

The "study" of the natural history of syphilis in black men is important to understand. Because it involved US federal funds and US federal researchers, it was a key demonstration that serious ethical problems in research were a mainstream event rather than a fringe problem; awareness of this project fueled concern for regulatory oversight and led to the development of federal regulations. James Jones' revelations were key to this process, and everyone involved in human subjects' research should read this book. Overall, the book is well researched and well presented. One of the more frightening aspects of Tuskegee is subtle, and doesn't get as thorough a treatment as it could have; that is, some of the outrageous features of the project were not the result of single outrageous decisions, but were rather the sum of many smaller errors. These are harder for a researcher to dismiss as things s/he could never have done. As a physician, I can comfortably say that I would never deliberately deny effective therapy to someone with a serious illness. But I can not as glibly say that I would have been the one to stand up and rebel when a protocol committee in the late 1940s or early 1950s decided that the evidence for penicillin's effectiveness in advanced syphilis was not QUITE good enough to mandate terminating the project. There are also some rough spots in some of the technical information, most glaringly a rather startlingly inaccurate description of what's involved in a spinal tap. Those are small issues, though. Overall, this is an excellent book that makes it abundantly clear why Tuskegee is so important to our thinking about research ethics, and helps the reader understand why certain racial and ethnic groups have a distrust of medical research.

What can I say other than "Why O Why"!!! This book is well written and brings out into the forefront of our American history one of the most shameful atrocities against humanity. The movie was hard enough to accept, but when I read the details as to why the experiment was done and the lack of respect and regard for a human race, it caused me to shiver from core to circumfrence. It boggles my mind to know that there are, and have been, people on this earth who can voluntarily afflict a human with a disease all in the name of science and see nothing wrong with it. Nevertheless, overall the book took me on a historical and statistical journey that filled in several unanswered questions from the movie and its delivery was crisp, spellbinding and gut-wrenching...all at the same time.I have already recommended this book to several of my colleagues who believe in knowing our history...in the name of future avoidance.

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Bad Blood: The Tuskegee Syphilis Experiment, by James H. Jones PDF
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Thursday, September 4, 2014

Download Ebook American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

Download Ebook American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

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American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

American Country: Bluegrass, Honky-Tonk, and Crossover Sounds


American Country: Bluegrass, Honky-Tonk, and Crossover Sounds


Download Ebook American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

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American Country: Bluegrass, Honky-Tonk, and Crossover Sounds

Product details

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Audible Audiobook

Listening Length: 1 hour and 25 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Lerner Publishing Group

Audible.com Release Date: April 18, 2017

Language: English, English

ASIN: B01MZCWMRC

Amazon Best Sellers Rank:

A lot of kids think country isn't cool, but in reality it emanates from a lot of different styles, styles that just may have influenced what they are listening to. Country music "had its roots in the fold songs that immigrants brought to the United States from England,Scotland, and Ireland. For a long time the sounds were part of southern culture and it wasn't until talent scouts traveled to the South in search of talent during the 1920s and 1930s they were rediscovered. The talent they found would amaze the rest of the country when they found artists like Jimmie Rodgers and family groups like the Carters. Patsy Montana (Ruby Blevins) could yodel with the best of them and was "also one of country music's first female session musicians."After Patsy sold a cool million copies of one song, WWII rolled around and southern culture began to move across the nation. Even singers like Bing Crosby wanted in on the act and had a hit record. It may have been a hit, but some country folk still like the old-time music Roy Acuff and his group performed, "a traditional mountain-time music lineup of fiddle, string bass, rhythm guitar, and banjo." In the 1940s country began to rock when the rowdy honky-tonk style took hold. Hank Williams may have "made the term honky-tonk famous," but artists such as Floyd Tillman, Al Dexter, Ernest Tubb, Lefty Frizzell, and others wowed their audiences.The honky-tonk artists had to share the stage with the likes of Bill Monroe and the Blue Grass Boys and other bluegrass musicians and bands. One stage they all wouldn't share was the "Grand Ole Opry's," who didn't quite approve of another style dubbed Western swing. Hank Williams, "widely thought to be the greatest country artist of all time," finally made it to the Opry stage with his life-like emotional style. Ever hear the "Ballad of Jed Clampett" from "The Beverly Hillbillies?" Flatt and Scruggs were bluegrass artists from this era. Even Bob Dylan was influenced by Hank Williams's songs. The roots of country didn't stay in the South, but made inroads into many other types of music.In the 1950s the nation was certainly opening its eyes and saw the influence of country music for the first time when Elvis came on the scene with rockabilly. It was a cross between rock and hillbilly and boasted such artists as "Presley, Jerry Lee Lewis, Carl Perkins, Wanda Jackson, and Johnny Cash." Country music was branching out and has continued to do so to this day. Anyone see Kayne West diss Taylor Swift's "Best Female Video acceptance speech?" It was Hip Hop meets country. You'll also read about the evolution of country music, stars such as Kitty Wells, Jim Reeves, Buck Owens, Garth Brooks, Loretta Lynn, Tammy Wynette and George Jones, Dolly Parton, Red Foley, Merle Haggard, Glen Campbell, Patsy Cline, Johnny Cash, Willie Nelson, and you'll learn a lot about the history of American country music.This is a fabulous foray into the lives of the artists and history of country music the young reader will enjoy. Naturally in a book of this nature one cannot expect to touch on the lives of every country performer and group, but the overview was amazingly well done. For example, this book missed Merle Travis an artist inducted into the Country Music Hall of Fame. The layout of the book is peppered with photographs, "Must Download Playlists," short biographical sketches, and numerous informative sidebars. The different styles of country music were covered very nicely and there were several interesting vignettes about both the artists and the evolution of American country music. In the back of the book is an index, a glossary, a timeline (1927 to 2012), a selection of "Mini Bios,", a list of "Country Must-Haves," major awards, source notes, a selected bibliography, and additional book, film, and website resources to explore.AMERICAN COUNTRY: Bluegrass, Honky-Tonk, and Crossover SoundsAMERICAN HIP-HOP: Rappers, Djs, and Hard BeatsAMERICAN LATIN MUSIC: Rumba Rhythms, Bossa Nova, and the Salsa SoundAMERICAN POP: Hit Makers, Superstars, and Dance RevolutionariesAMERICAN R & B: Gospel Grooves, Funky Drummers, and Soul PowerAMERICAN ROCK: Guitar Heroes, Punks, and MetalheadsThis book courtesy of the publisher.

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